Messy Gardening
Jillian Rogers
University of Washington
When I visited the Danny Woo Community Garden, located in Seattle’s Chinatown-International District, I noticed the garden’s abundance of plastic (e.g., old buckets, milk jugs). Abhorred as they are in traditional gardens, plastic was integrated into the garden’s structure as much as the varied vegetables and herbs. That visit invited me to reflect on my experiences with Chinese culture, plastic, and supposed “messiness.” Drawing on conversations with gardeners, many hours spent in the garden, and deep, multi-sensorial immersion, I explore the boundaries of what is considered natural, starting with the ways plastic is used and incorporated in the garden. Additionally, I draw from academic and creative writing to inform a surrealist poem that lives a second life in the poem’s footnotes, which may be referenced for how my research and experiences informed certain lines or phrases. The poem takes the perspective of a subterranean, worm-like being in the Danny Woo Garden who experiences the world through every sense except vision, reimagining the garden from the ground up. Through this strange perspective of the underground, I reveal the instabilities of the definition of “natural.”